After my earlier studies on metaphysical surrealism, my research was then based on the language of realism, documenting the lived testimony of a change in the new Western society. It was a long series of portraits on multi-ethnic generations, made between 2003 and 2009. This theme, followed by that of flowers, emphasizes a poetic analysis through the symbolic aspects of "change", as for a garden in the changing of the seasons.
The research of my work always pursues beauty and expressive elegance through luminous, chromatic and spatial balances, restoring them in a new and contemporary vision of figurative art. Even my Still lifes, are a reflection of the more correct definition of "constructivist realism" already starting from the drawing, up to its final composition in the overall view of the work. 
In my compositions I look for the maximum perceptual balance through spaces calculated between them, to give them strength and at the same time lightness.
The naturalistic compositions, such as the flowers of the Alps, which are the reflection of my "entourage", and a living symbol of the country where I live, also require to be worked quickly, with an almost scientific preparation and precision before their withering.
Thus, while the pose of the subjects meet with a fleeting appointment with light, as it is for all my work, this emphasizes a symbolism of transformation, sacredness and poetry.